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Greetings... Made a selection of different tracks and executors. But all of them on different loudness and different - somewhere basses it is more, somewhere it is less, somewhere high stick out, somewhere averages . Whether There are any variants as all of them to result, at least approximately, to the general ? In overall level tried to result, it became better, but all the same the loudness pen should be twisted...
Hello, RusDady, you wrote: RD> Greetings... RD> Made a selection of different tracks and executors. But all of them on different loudness and different - somewhere basses it is more, somewhere it is less, somewhere high stick out, somewhere averages . Whether RD> There are any variants as all of them to result, at least approximately, to the general ? RD> In overall level tried to result, it became better, but all the same the loudness pen should be twisted... With frequencies - , and volumes in any normal player does ReplayGain
Hello, jazzer, you wrote: J> Hello, RusDady, you wrote: RD>> Greetings... RD>> Made a selection of different tracks and executors. But all of them on different loudness and different - somewhere basses it is more, somewhere it is less, somewhere high stick out, somewhere averages . Whether RD>> There are any variants as all of them to result, at least approximately, to the general ? RD>> In overall level tried to result, it became better, but all the same the loudness pen should be twisted... J> With frequencies - , and volumes in any normal player does ReplayGain Yes, on audio level I know as to do... Here, speak, in Adobe Audition 3 somehow it is possible to turn it... Here I sit I study...
RD> Made a selection of different tracks and executors. But all of them on different loudness and different - somewhere basses it is more, somewhere it is less, somewhere high stick out, somewhere averages . Whether RD> There are any variants as all of them to result, at least approximately, to the general ? To calculate each composition. To deduce . For each composition to make correction levels for an equalizer. But consider: 1. The ear hears frequencies nonuniformly. There is an equal loudness contour. 2. On applicable practice now practically all compositions form under demanded RMS and zero level. Proceeding from what the raising of any frequencies is mandatory leads . Even if you will use the compressor and a limiter for this purpose, you cannot lift all without distortions there anything. Even the skilled audio engineer cannot make this task purely. Therefore you should to lift frequency, and is exceptional to lower. But it is everything, all nonsense, because more low: RD> In overall level tried to result, it became better, but all the same the loudness pen should be twisted... There is standard EBU R-128 to which follow the majority of television broadcasters where your task is already technically solved. Currently it is most progressive standard of normalization of loudness (not to confuse to numeral level and RMS). For this purpose there is such concept, as LUFS. Methods of its calculation are standardized by appropriate technical documentation. And not only for a stereo, but also for multi-channel sources. There very simple filters easily implemented and not exacting to the processor are used. The further regulation is carried out simply by level.
Hello, rean, you wrote: RD>> Made a selection of different tracks and executors. But all of them on different loudness and different - somewhere basses it is more, somewhere it is less, somewhere high stick out, somewhere averages . Whether RD>> There are any variants as all of them to result, at least approximately, to the general ? R> to Calculate each composition. To deduce . R> For each composition to make correction levels for an equalizer. R> but consider: R> 1. The ear hears frequencies nonuniformly. There is an equal loudness contour. R> 2. On applicable practice now practically all compositions form under demanded RMS and zero level. Proceeding from what the raising of any frequencies is mandatory leads . Even if you will use the compressor and a limiter for this purpose, you cannot lift all without distortions there anything. Even the skilled audio engineer cannot make this task purely. R> Therefore you should to lift frequency, and is exceptional to lower. R> but it is everything, all nonsense, because more low: RD>> In overall level tried to result, it became better, but all the same the loudness pen should be twisted... R> There is standard EBU R-128 to which follow the majority of television broadcasters where your task is already technically solved. R> currently it is most progressive standard of normalization of loudness (not to confuse to numeral level and RMS). R> For this purpose there is such concept, as LUFS. Methods of its calculation are standardized by appropriate technical documentation. And not only for a stereo, but also for multi-channel sources. There very simple filters easily implemented and not exacting to the processor are used. The further regulation is carried out simply by level. Thanks. At me the assembly from different disks and different styles and consequently there all miscellaneous...
Used Adobe Audition 3. 1. We create a script. 1. Under the main menu it is sampled (from possible "Edit", "Multitrack", "CD") "Edit". Further, we go in File-> Scripts... The new window "Scripts" Opens, in this window we push the button "Open/New collection" and we select a place where we want to save a file with scripts. Further, we push button "Record" and a window "Scripts" it should be closed. 2. We select a file which we want to process. Enough one file. For this purpose on the tab "Files" it is done we click the right mouse button on a tab free field "Files" and we select the menu "Import", we find a file and it is loaded it in the editor. The file appears in the tab "Files". Fast we click it twice with the left button of the mouse that it booted in the editor (the right window). (If the file is not loaded in the editor but only it is selected from the tab effects will not be accessible!) 3. Now we pass in the tab "Effects" and it is sampled Amplitude and Compression-> Multiband Compressor. In this effect all range is broken by three crossovers (boundary frequencies) into 4 ranges. On each range there are adjustments. We adjust ranges moderately understanding and by means of a method . We push "OK". The window is closed. 4. Further I still added Hard Limiting: Opened effect, adjusted and pushed "OK". It is possible to add still other effects. 5. When finished with effects, again we go File-> Scripts..., we push Stop. We entitle in Title, we push Add to Collection and we close a window. All - the Script is ready. 2. We use a script for handling. Now we should process 1000 files these a script. For this purpose we go in File-> Batch Processing. And then we go under tabs: 1. (Files) we Select files, 2. (Run a script) we select a script which we just created, 3. (Resample) if it is necessary we do (I did not do), 4. (New format) we select a format in which we want to save all files, 5. (Destination) we select a place on a disk where we want to save the processed files. Now we press Run Batch and we go to be engaged in something interesting because handling of 1000 files can occupy some hours. , that turned out approximately that I and wanted, but it is necessary to approach to such handling more carefully and accurately. Better luck next time, but I on the right track. Thanks. Can to whom and this instruction is useful.
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