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Topic: About a winter palette (photopeak)

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Re: About a winter palette (photopeak)

Hello, StandAlone, you wrote: SA> In the north all is normal. January, ~50-150 km to the south . , , ,  for , the horizon fell together with , is removed on the right ski of Novovjatsk. [zanuda] At shooting against snow automatics perceives all brightly illuminated. It is necessary to increase an exposure. [/zanuda] I to that in life all it is much more light and am brighter!

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Re: About a winter palette (photopeak)

Hello, biochemist, you wrote: B> I to that in life all it is much more light and am brighter! So?

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Re: About a winter palette (photopeak)

Hello, biochemist, you wrote: B> [zanuda] At shooting against snow automatics perceives all brightly illuminated. It is necessary to increase an exposure. [/zanuda] Value of an exposure in such situations should be reduced. - here it the present bore of modes of Ekspozitsija (in a photo, a motion-picture and television) - an amount of the actinic radiation received by a photosensitive element. For visible radiation can be calculated as illuminance product for an exposure during which light influences a photosensitive element: a matrix or a photoemulsion [1].

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Re: About a winter palette (photopeak)

Hello, _FRED _, you wrote: B>> [zanuda] At shooting against snow automatics perceives all brightly illuminated. It is necessary to increase an exposure. [/zanuda] _FR> Value of an exposure in such situations should be reduced. - here it the present bore of modes At you the bore not that model the Camera perceives all as 18 % the gray. If to trust in automatics white snow turns to the gray. If to reduce an exposure the gray turns in dark gray. Therefore, that white to make white, it is correct -  in +1.

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Re: About a winter palette (photopeak)

Hello, V. Zudin, you wrote: B>>> [zanuda] At shooting against snow automatics perceives all brightly illuminated. It is necessary to increase an exposure. [/zanuda] _FR>> Value of an exposure in such situations should be reduced. - here it the present bore of modes SVZ> At you the bore not that model SVZ> the Camera perceives all as 18 % the gray. If to trust in automatics white snow turns to the gray. If to reduce an exposure the gray turns in dark gray. SVZ> therefore that white to make white, it is correct -  in +1. Probably, really. +1: it you so magnification of time of an exposure twice name?

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Re: About a winter palette (photopeak)

Hello, _FRED _, you wrote: SVZ>> the Camera perceives all as 18 % the gray. If to trust in automatics white snow turns to the gray. If to reduce an exposure the gray turns in dark gray. SVZ>> therefore that white to make white, it is correct -  in +1. _FR> it is visible, valid. +1: it you so magnification of time of an exposure twice name? Well it not I name, so was moved.

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Re: About a winter palette (photopeak)

Hello, V. Zudin, you wrote: SVZ>>> the Camera perceives all as 18 % the gray. If to trust in automatics white snow turns to the gray. If to reduce an exposure the gray turns in dark gray. SVZ>>> therefore that white to make white, it is correct -  in +1. _FR>> it is visible, valid. +1: it you so magnification of time of an exposure twice name? SVZ> well it not I name, so was moved. Strange, I when trusted in "automatics" in snow landscapes in the clear sunny day at me all lit quitted.

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Re: About a winter palette (photopeak)

Hello, biochemist, you wrote: B> I to that in life all it is much more light and am brighter! Actually, and the authorities hide? I to it probably even would check, if is not the immediate eyewitness. And so, I will tell lies I will inform as the eyewitness - than it is pleasant to me 920 so it is a color rendition. Photos completely coincide that the author of a picture own eyes saw thus. Snow dark blue, the sky violet, fur-trees black. There is no only a scratch underfoot. About brightness and the grace. All is removed in the beginning of January. When the decline comes at 12.24, and the general duration of luminous day 3 hours. The very first photo is made on January, 1st, at 11.49.

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Re: About a winter palette (photopeak)

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Re: About a winter palette (photopeak)

Hello, V. Zudin, you wrote: _FR>> it is strange, I when trusted in "automatics" in snow landscapes in the clear sunny day at me all lit quitted. SVZ> so programmers not gods. Special modes for shooting on snow/sand enter not simply so. And that, not the fact that it will be possible to enter the correction correctly. Can it is necessary +1, and can and +1/3 enough. SVZ> Well also it is necessary to look, how for you  works. A pointwise or average/matrix mode. Whether there is something dark against snow... The Light meter in Zenith-122:)) it is possible, a matrix somehow differently it perceives, rather than a warm lamp film

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Re: About a winter palette (photopeak)

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Re: About a winter palette (photopeak)

Hello, _FRED _, you wrote: _FR>>> it is strange, I when trusted in "automatics" in snow landscapes in the clear sunny day at me all lit quitted. SVZ>> so programmers not gods. Special modes for shooting on snow/sand enter not simply so. And that, not the fact that it will be possible to enter the correction correctly. Can it is necessary +1, and can and +1/3 enough. SVZ>> Well also it is necessary to look, how for you  works. A pointwise or average/matrix mode. Whether there is something dark against snow... _FR> the Light meter in Zenith-122:)) it is possible, a matrix somehow differently it perceives, rather than the warm lamp film At a warm lamp film dynamic range  is wider, than at a matrix, on idea such flaws can be drawn out. But it is possible to ruin at development. And here where you found the full automatics on Zenith - In the same place all the same an exposure manually install on a LED. There was at me such zenith in 90, the lock  - on short exposures produced a dark vertical band on frame edge. Now vaguely I remember winter pictures - at a shining sun relight, probably a singularity  too turned out.

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Re: About a winter palette (photopeak)

Hello, V. Zudin, you wrote: _FR>>>> it is strange, I when trusted in "automatics" in snow landscapes in the clear sunny day at me all lit quitted. ... _FR>> the light meter in Zenith-122:)) it is possible, a matrix somehow differently it perceives, rather than warm lamp film SVZ> And here where you found the full automatics on Zenith - In the same place all the same an exposure manually install on a LED. And I there also did not find it, therefore I it

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Re: About a winter palette (photopeak)

SA> C'mon, companions, it is safely divisible winter . We strike an eyepiece (or a diaphragm?...) on mean cyclones.   this your winter. Even in such light.

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Re: About a winter palette (photopeak)

SA>> C'mon, companions, it is safely divisible winter . We strike an eyepiece (or a diaphragm?...) on mean cyclones. SVZ> at me is not present  and photos are yours too winter a shit

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Re: About a winter palette (photopeak)

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Re: About a winter palette (photopeak)

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Re: About a winter palette (photopeak)

Hello, StandAlone, you wrote: SA> C'mon, companions, it is safely divisible winter . We strike an eyepiece (or a diaphragm?...) on mean cyclones. Not absolutely a photo,  with  to steam of minutes back. This place in 10 minutes on foot from me.